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Nick Morgan and crew
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Concert
Review by Nick Morgan |
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FAIRPORT CONVENTION ‘ACOUSTIC’,
100 Club, London, November 16th 2005 |
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Hey
Serge, did you know that the esteemed historian
and songwriter Ralph McTell wrote a wonderful tune
about the greatest of all English patriots, William
Conkere? You must remember William. He was the legendary
English hero who fought off the invading hordes
of Harold Hard at Hastings, and famously told “his
lusty yeomen true” (I quote Ralph) to fire
conkers from their longbows – one of which
killed old Harold by hitting him in the eye. It
was sad that William’s uncle was killed in
the battle, but such was the nation’s gratitude
that for years “all young men lusty and true”
(Ralph again) were named ‘Norman’ in
his memory. |
| And
we still celebrate William’s famous victory
every October by eating conker pie. Hmmm. And of
course by singing Ralph’s song: “Have
you seen King William, true patriot and fair, he’s
the lusty warrior we call the Conkere” Yikes!
Now that’s what I call history meets poetry.
Anyway it was a shame that Fairport
Convention didn’t find time for
this McTell classic (though that’s not too
say it was a McTell free night) in their gig at
the 100 Club on Wednesday. |
| Although
it wasn’t really like a 100 Club gig –
more like a Convention of Conventioners, a mid-season
Cropredy reunion without the rain - why they’d
even brought along their fishing chairs, and I swear
there was a stall selling (the famous West Midland’s
delicacy) hot Ozzies and mushy peas outside on Oxford
Street. I’m not even sure if many of them
were there for the music, more for the chat and
familiar friendly faces (apart from the one that
The Photographer had a spat with at the bar, but
that, as they say, is another story) four of whom
just happen to be on the stage. |
From
left to right: Ric Sanders, Simon Nicol,
Gerry Conway and Chris Leslie. |
Because
it’s not full on Fairport, it’s the
acoustic sitting down in fishing chairs version
(all plugged in to amplifiers on course), comprising
the hard-working Gerry Conway on a very abbreviated
drum kit and percussion, grumpy Simon Nicol on guitar
and vocals, the normally flamboyant Ric Sanders
(tied to his chair) on fiddle, and the simply nice
Chris Leslie (The Photographer’s school chum)
on vocals, fiddle, electric mandolin and electric
bouzouki. Acoustic? Confused? Me too. So apparently
is bassist Dave Pegg, who rather than performing
was in the south of France “getting his new
house together” following his matrimonial
adventures over the past year or so. Big shame as
that means we miss Dave’s laddish and quite
unique Brummie humour. Big shame.
And the performance? Well, I know my fellow reviewer
Dave “boy” Broom hates this particular
descriptor, but I have to see it was very …
nice. Thoroughly pleasant. Most entertaining. Nicol
actually sounds a much better singer in this smaller
outfit that he sometimes sounds with the full (electric
and plugged in) band, and I was able to watch closely,
and admire, his exemplary rhythm guitar technique
(though I suppose it should be good after about
forty year’s practice). Conway is inventive
and tireless (though I should observe he looked
knackered at half time in the Gents, where he was
being pursued by a Convention of ageing amnesic
Gerry Conway fans, “what did you say you played
again?”). |
Chris
Leslie |
Sanders
is sublime, good humoured, and playing up to a Convention
of Sanders fans seated determinedly in front of
him on the left of the stage. Leslie spends most
of the evening grinning away to himself as he swaps
instruments, introduces songs (modestly neglecting
to tell us that he’d written most of them)
and sings. Now as I’ve already mentioned elsewhere
a lot of this new material isn’t really as
strong as the Fairport classics of the Thompson,
Denny and Swarbrick days. But give the guys their
credit – they don’t rest on these laurels
- much of the material is of a more recent vintage
and played with considerable gusto. And it’s
just … nice. Easy, undemanding, fun …
errr, nice. |
| Leslie
does a nice line in sentimental – ‘I’m
already there’, ‘Banbury Fair’
(he missed out all the fights, a great feature as
I recall), ‘The fossil hunter’, ‘Close
to you’. We get some nice instrumentals –
‘Woodworm swing’, ‘Canny Capers’,
and Duke Ellington’s ‘Sophisticated
lady’ morphed with ‘Here there and everywhere’
(unlike the Bill Frisell treatment I got this within
half a bar). A nice old Thompson and Swarbrick tune,
‘Now be thankful’, and the nice ‘Culworth
gang’, ‘Sheriff’s ride’
and ‘The dancer’. |
| And
of course Ralph McTell’s gushing but nice
‘The hiring fair’, which is a suitable
vehicle for Saunders to really put his fiddle through
its paces. In between we get a not-so-nice drunks
Convention, who appear nosily out of nowhere, but
are soon put in their place by a collective turn
of heads and glowering glare from the fishing chairs.
And of course, as encore, the very nice ‘Meet
on the ledge’, by which time, with the wine
and beer fully kicked in, its nice hugs and tears
and “see you next year at Cropredy’.
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Actually
I think I might give it a miss next year, and find
something a little less predictable (and less nice)
to cover for you Whiskyfun rock fans, but on the
other hand if I don’t go, what on earth will
I do with my nice fishing chair? - Nick Morgan
(concert photos by Kate) |
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