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Concert
Review by Nick Morgan |
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| CONCERT
REVIEW |
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DR JOHN at The Barbican,
London
Tuesday January
11th 2005
by Nick Morgan
It
takes something (a charmed life perhaps?) to survive
childhood illness, a shooting injury to the hand,
long term addiction to Class A narcotics, two
years imprisonment in a State Penitentiary, sessions
with artistes as diverse as Little Richard, Phil
Spector, Frank Zappa and the Rolling Stones, and
an appearance in an advert for Southern Conmfort.
But Mac Rebennack, aka Dr
John, aka The Night Tripper has managed
all of this and pursued a solo career for over
thirty years with a chain of somewhat erratic
and diverse albums, and a heavy touring program.
His last few visits to London have been in the
company of an irresistibly funky band but tonight
he’s solo, and for the most part devoid
of the Voodoo paraphernalia that normally bedecks
his piano. |
Maybe
this is because the management of the Barbican objected
to (plastic?) skulls and Ju Ju beads being hung
from their Steinway, or that they were concerned
about the sensibilities of their elderly and genteel
audience, the majority of whom look as though they
are out for a night of Gilbert and Sullivan, rather
than the master-class in N’Awlinz ‘second-line’
syncopated rhythm and blues that they receive.
The Doctor is in unusually avuncular form, as if
stripped of the sinister aura that he displays with
his band – anyone who has witnessed his bizarre
spastic-dancing will know what I mean. But tonight
he’s almost a jolly old gentleman –“dats-
definitely- not- da- way- Cole- Porter- compozed-
dat- song- but- itz- definitely- da- way- I- decompozed-
it” – chatting and joking to his audience
in an N’Awlinz patois that was almost incomprehensible
to most of the audience. In between what we got
was a history lesson (“I- gonna- play- one-
or- two- dat- you- might- know- and- spose- one-
or- two- dat- youz- might- not”) and the Doctor’s
greatest hits... |
So
we get ‘Walk on gilded splinters’ from
his first album Gris Gris, played seamlessly into
‘Marie Laveau’, a celebration of New
Orlean’s famous Voodoo Queen, from last year’s
N’Awlinz dis dat or d’udda. Professor
Longhair’s ‘Tipitina’, Dave Bartholomew’s
‘The Monkey’, a Huey Smith medley ending
with ‘Rocking pneumonia and the boogie woogie
blues’ made up a bit of the history; ‘Such
a night’, ‘An imitation of love’,
and (again from “Dis dat”) ‘I
ate up the apple tree’ the Dr John catalogue.
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And not only was the Doctor good-humoured. His
growling drawl of a singing voice was on top-form
– clearer and more concise as it needed
to be without a band. His piano playing was outstanding.
Not an instrument I really understand –
but his improvisations over and around the driving
rhythms of his left hand were inspired –
and if Dr John looked possessed at all it was
when he was in the middle of these long, flowing
and complex passages. The Gilbert and Sullivan
fraternity were foolish enough to try and clap
along (a bit like tapping your foot to Rachmaninov),
which in turn prompted the Doctor “to- persionally
-hit- on- youz- to- participate”. The resulting
“Dooba dooba doos” were sung with
all the conviction of a dwindling congregation
in a Home Counties Parish Church. I cringed –
the Doctor visibly winced - “I- tink- dat-
most- of- youz- were- shocking- but- datz- just-
my- persional- opinion”.
Apparently there is a forthcoming DVD of Dr John
scheduled for release later this year –
if you’ve never seen him then it’s
worth looking out for. If that’s a strong
recommendation (which it is) then a very weak
one is to look out for Mr David Viner. This young
tousle haired Oxfam suited friend of the stars
gave us thirty uninspired minutes of folk-club
average blues covers. But be warned – this
young Mr knows people in high places – I
fear we’ll be hearing more of him than we
will of the good Doctor in the future. - Nick
Morgan (photo by Kate).
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